Leave it to my blog-pal Piper to roust me out of the too-much-working, non-blogging malaise I’ve been experiencing lately by tagging me with one of his ever-loving movie memes. What a rascal!
In Lazy Eye Theatre’s 12 Movies Meme, Piper challenges me and a handful of others to program two weeks’ worth of movies if we were suddenly granted control over the New Beverly Cinema, as was the somehow-still-ubiquitous Diablo Cody recently.
Rather than stock my movie choices with all of the usual favorites and familiar standbys, I figured this would be a more interesting exercise if I created double features comprised of 1) a favorite movie I’ve longed to see on the big screen and 2) a movie I’ve never seen at all, but really should have by now.
So let’s all go to the movies!
| Monday - Tuesday: Manic Michael Mann | |
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When it comes to the creation of smart-action, high-stakes macho-drama, it’s hard to beat Michael Mann. His 1995 Heat remains near the top of my all-time favorites list, and I’ve yet to leave one of his movies feeling let down. I’ve read a lot of terrific pieces on Thief, but have never sat down to watch it. Now that I’ve got my own theater, it seems like a no-brainer. |
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| Wednesday - Thursday: Dad’s Oldey Time Favorites | |
My Dad has an affinity for old-fashioned movies about Honorable Men. Men who make the tough decisions even though it complicates their own lives or put them directly in danger. Men who travel the harder, lonelier road for the greater good. I think I’ve developed an affinity to more modern versions of this theme, and I’ve certainly enjoyed High Noon in the past - but I’ve never had the chance to enjoy Dad’s other old favorite The Four Feathers (1939). |
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| Friday - Saturday: Let’s Get Weir’d | |
Any additional exposure I could give to movie audiences of director Peter Weir’s incredible body of work pretty much guarantees that the world will be a better place. Having said that, I’m ashamed to admit that I’ve never seen Master and Commander, his most recent - the not-recent 2003 - film. And I know that I go on too much about his spectacular and grievously underrated Fearless, but I’d give anything to see it on the big screen once more. |
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| Sunday - Monday: Good Redford, Bad Newman | |
Hard to pass up an opportunity to screen classic and favorite movies without including Redford and Newman somehow, but I figured I’d pick a pair that they weren’t in together, and where they were playing decidedly different roles from each other. 3 Days of the Condor is a terrific potboiler of a film which stands up pretty well, and I’ve never gotten around to seeing Hud before, so this seemed like a good match. |
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| Tuesday - Wednesday: Life and Other Kinds of Violence | |
Quite honestly, I’m not sure what made me put these two together. They both deal in the violence we do to each other, how we handle it psychologically, how we try to heal, usually with poor results. They’re both downers. And there’s some cross-dressing involved. And A Clockwork Orange is one of those films that I feel like I’ve seen all the way through before, but I’m really not certain that I actually have. |
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| Thursday - Friday: Yippee-ki-yay, Mr. Hackman | |
This one’s easy: I’ve never watched The French Connection, despite every evidence that it would own my action-movie-loving ass. And Die Hard is a slam-dunk. How is it that this movie has never been re-released in theaters? Isn’t it the 20th anniversary this summer? Hello, movie distributors: must I do everything for you? |
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Anyhoo, here are the rules of Mr. Piper’s Meme:
- Choose 12 Films to be featured. They could be random selections or part of a greater theme. Whatever you want.
- Explain why you chose the films.
- Link back to Lazy Eye Theatre so he can have hundreds of links and he can take those links and spread them all out on the bed and then roll around in them.
- The people selected then have to turn around and select 5 more people.
And here are my five poor bastards valued blogging buddies:
Now go see more movies in the theater!


When it comes to the creation of smart-action, high-stakes macho-drama, it’s hard to beat Michael Mann. His 1995 Heat remains near the top of my all-time favorites list, and I’ve yet to leave one of his movies feeling let down. I’ve read a lot of terrific pieces on Thief, but have never sat down to watch it. Now that I’ve got my own theater, it seems like a no-brainer.
My Dad has an affinity for old-fashioned movies about Honorable Men. Men who make the tough decisions even though it complicates their own lives or put them directly in danger. Men who travel the harder, lonelier road for the greater good. I think I’ve developed an affinity to more modern versions of this theme, and I’ve certainly enjoyed High Noon in the past - but I’ve never had the chance to enjoy Dad’s other old favorite The Four Feathers (1939).
Any additional exposure I could give to movie audiences of director Peter Weir’s incredible body of work pretty much guarantees that the world will be a better place. Having said that, I’m ashamed to admit that I’ve never seen Master and Commander, his most recent - the not-recent 2003 - film. And I know that
Hard to pass up an opportunity to screen classic and favorite movies without including Redford and Newman somehow, but I figured I’d pick a pair that they weren’t in together, and where they were playing decidedly different roles from each other. 3 Days of the Condor is a terrific potboiler of a film which stands up pretty well, and I’ve never gotten around to seeing Hud before, so this seemed like a good match.
Quite honestly, I’m not sure what made me put these two together. They both deal in the violence we do to each other, how we handle it psychologically, how we try to heal, usually with poor results. They’re both downers. And there’s some cross-dressing involved. And A Clockwork Orange is one of those films that I feel like I’ve seen all the way through before, but I’m really not certain that I actually have.
This one’s easy: I’ve never watched The French Connection, despite every evidence that it would own my action-movie-loving ass. And Die Hard is a slam-dunk. How is it that this movie has never been re-released in theaters? Isn’t it the 20th anniversary this summer? Hello, movie distributors: must I do everything for you?









Hollywood has reacted quickly to the worldwide blockbuster weekend success of Get Smart with a huge announcement that Sony has secured the remake rights to classic TV skein Happy Days. John Davis of Davis Entertainment (Daddy Day Camp, Norbit, Garfield: A Tail of Two Kitties, Fat Albert) will produce for Sony who will distrib after the pic lenses in October.
Percenters all over town have jumped on the news to attach talent to the prod. Vince Vaughn has emerged as the frontrunner to play “Arthur Fonzarelli,” the role made famous by Henry Winkler. He’ll costar with Lindsay Lohan, who sources claim plans to heat up the screen in a big comeback role as “Joanie”. Owen Wilson and Matthew McConaughey are in heated talks over the role of “Richie Cunningham,” while Sharon Stone is rumored to be attached to the pic as well. Contacted for comment, Stone’s reps insist that she will NOT be playing “Mrs. C,” and industry buzz is that the 60-something thesp will instead cameo as the streetwise “Pinky Tuscadero”.
Now I know what you’re going to say: that any kind of future film project that you’d be involved in can’t really be considered a “comeback” because you’ve never really “gone away” - and of course you’d be right! Your career has never been hotter, what with that
You’re brave, Sharon Stone. Brave like Americans should be. Brave in that way that we admire and love in the way that 









UPDATE: the problem was actually












